Sherlock Holmes, Victorian Gentleman
In 1891, Sherlock Holmes was a character very much of his time and place, who appealed to British readers directly by confronting the messy, changeable world they lived in. Rather than dwelling in romance or in an idealized past, as many of Arthur Conan Doyle's other characters did, Holmes was grounded squarely in Victorian London. The Sherlock Holmes mystery stories, written over a forty-year span from 1887 to 1927, represented the good, the bad, and the ugly of Victorian society: its ideals, its accomplishments, and its deepest fears. Arthur Conan Doyle's birth year, 1859, fell 22 years
into Queen Victoria's 64-year reign, a time of unparalleled growth and
optimism for the British Empire. Resources and labor taken from colonies
worldwide had made England prosper, and the time of serious independence
struggles lay in the distant future. Business flourished, technology blossomed,
and London grew at a great rate--from one million people to six in the
space of a century--creating problems of urban overcrowding familiar to
us today: poverty, homelessness, drug abuse, crime. While the great divide
between rich and poor and the economic and human strain of maintaining
the colonies exacerbated social problems that were as yet insoluble, Victorian
Britons, led by Victoria's husband Albert, put their faith in technology
and science. The contrasts and conundrums of this fascinating time provided
Conan Doyle with the raw material and the backdrop for Sherlock Holmes:
a man of science, undistracted by the gentler passions, who moved easily
through the disquieting urban space, using his wits to solve its moral
and practical dilemmas. Physically, London could be a place of disturbing contrasts,
a cosmopolitan city where the middle class drank tea in comfortable drawing
rooms while epidemics of typhoid and cholera ravaged the squalid, overpopulated
East End. The putrid Thames River, the city's main source of drinking
water, despite the network of open sewers that dumped tons of waste into
it daily, carried a reeking cloud of contagion to all levels of society
as it meandered through the heart of the city.
Inhabitants of London had more
to fear from their city than an unhealthy environment. Barely thirty years
before Doyle's birth, London was a criminal's paradise. Whole areas of
the city were "owned" by criminal groups, and honest citizens hardly dared
to walk through certain neighborhoods at night, even armed. In 1829, the
Metropolitan Police was founded by Home Secretary Sir Robert Peel (hence
the nickname "Bobbies"). By Conan Doyle's birth in 1859, there were over
200 police constabulary units in England and Wales, under the jurisdiction
of individual counties. As Conan Doyle represents them in the Sherlock
Holmes stories, the constabularies were highly bureaucratized organizations
that did things "by the book"; constables themselves tended to be seen
as good-intentioned, but plodding, and not always successful. Luckily,
unlike Inspectors Lestrade and Hopkins, Holmes's erstwhile colleagues,
the Metropolitan Police was not actually forced to match wits with Holmes's
brilliant nemesis, Moriarty, leader of the most insidious criminal syndicate
in England.
England has seen a century of upheaval
since the first Sherlock Holmes stories burst upon the scene. The old,
mysterious London has melted away with its "pea-soup" fogs and plagues
of sewer gas; British colonies have gained their independence, one by
one; manor houses are as likely to be museums or bed and breakfast inns
as private residences. The problems faced by modern British society would
seem to have left the Victorian detective behind. Not so: the character
that Conan Doyle considered
unworthy of his serious literary aspirations still strikes a chord with
modern audiences. As the world changed around him, Sherlock Holmes, the
reassuring protector of British superiority, transcended his time, and
today is loved for his weaknesses and eccentricities as much as for his
strengths. In the 21st century, sequels and pastiches featuring
the quintessential detective are still being produced at a steady rate. Arthur Conan Doyle and The Strand Magazine
Publishers quickly learned to target their publications
to the needs of particular segments of the population. Working-class people
with an elementary-school education read "penny weeklies" such as Tit-bits,
which contained short articles, bits of interesting information (what
we might call "sound-bites"), and serialized stories. For the middle class,
especially those with intellectual aspirations, magazines provided more
in-depth articles on politics, science, history, economics, and the arts,
as well as fiction that appealed to slightly more developed tastes than
what appeared in Tit-bits.
Founded in January 1891, The
Strand Magazine, named after a fashionable London street, was aimed
squarely at its target audience's middle-class tastes. A
typical issue might feature illustrated articles of scientific and historical
interest, a series of humorous cartoons on a theme, pictures of famous
people at different ages (from toddler to adult), interviews with celebrities,
a treatment of a controversial issue of the day, and one or more pieces
of fiction. The factual articles were not too complex, and the fiction
tended to feature a mystery or "twist" to keep the reader interested.
Nevertheless, the articles were skillfully edited and stylishly presented
in a sophisticated format. Whoever bought a copy of The Strand
felt like a true Londoner.
Conan Doyle wanted fame and success as a writer, and he went about achieving it more systematically and shrewdly than he had approached his medical career. First, he hired a literary agent, A. P. Watt, the very first man to advertise that sort of service. Then, he thought long and hard about what might appeal to his audience. Fearing that serialized stories would be of limited use to a reader who missed an issue, Conan Doyle decided to write stories that could be read independently but whose central character would be the same. Sherlock Holmes, who had already been the hero of Conan Doyle's novels A Study in Scarlet and Sign of the Four, seemed like a good candidate for such a series. Conan Doyle's agent submitted "A Scandal in Bohemia" to The Strand. It was accepted, and Conan Doyle was contracted to write a total of six stories featuring his detective.
Because of the very small success achieved by his first two Holmes novels, Conan Doyle's expectations were low. When "A Scandal in Bohemia" appeared in July 1891, during The Strand Magazine's first year, it was an instant hit. In assuring his own future, Conan Doyle also assured the grand success of The Strand, which ran monthly until 1950. |